Stylistic Analysis of the Poem “Meeting at Night”

The Love Song of Hair Dyal Rudyard Kipling just upon the housetops to the North I turn and watch the lightnings in the sky The glamor of thy footsteps in the North. amaze back to me, Be maniad, or I die. Below my feet the unagitated bazar is laid Far, far below the weary camels lie The camels and the captives of thy raid. Come back to me, Beloved, or I die My fathers wife is old and pugnacious with years, And drudge of all my fathers house am I My bread is brokenheartedness and my drink is tears. Come back to me, Beloved, or I diestylistic analytic thinking of the Poem Meeting at night Meeting at Night Robert Browning The gray sea and the long black bestow And the white-livered half-moon large and row And the startled little waves that take a hop In fiery ringlets from their sleep, As I gain the cove with pushing prow, And fill its speed I the slushy sand. Then a mile of affectionate sea-scented beach Three fields to cross till a advance appears A tap at the pane, the qu ick sharp scratch And depressed spurt of a lighted mark off, And a voice less loud, thro its joys and fears,Than the both hearts beating each to each The Theme of the Poem This poem written by Robert Browning is a poem of love that describes clear the pieces sailing on the sea to the bay on the beautiful night to go to the girl she loves and meets her at night. In here, it is say that the readers can feel the excitement and happiness of the couples on their confrontation at night. It is very clear at the bar of the poem that the wo creation is someways head-in-the-clouds and afraid while waiting for the existence she loves.But, upon hearing the mans tap on the window pane, she is very happy and palliate to see him, which only shows how deep their love and missing is. Linguistic Analysis of the Poem byLiu Yueqin Liu Yueqin has presented five linguistic presentation of the poem. Here is the haping linguistic analysis he had in this poem of Robert Browning a. phonological f eatures 1. End rhyme The rhyme scheme is, in the first stanza abccba, in the second -dedded. There ar five end rhymes as follow a. ? ndland, sand b. ? row, prow c. Ipleap, sleep d, It beach, scratch, match, each e, i? sappears, fears 2. Alliteration long-land in direct contrast 1the-that in line 3 fiery- from in line 4 pushing-prow in line 5 speed-slushy-sand in line 6 sea-scented in line 7 to-till and field-farm in line8 less-loud in line 11 than-the and two-to in line 12. 3. Repetition And therepeats 3 times in the poem, and in that respect are altogether 8andin the poem. The repetition shows that the man is reservation long-time effort step by step to meet the woman, his lover.However, the effort is estimable since the man loves the woman and expects fiercely to see her, no matter its at night or at day. The refrain occurs at the shut of a stanza, where it helps to establish meter, influence the mood of love, and add emphasis. With the usage of end rhyme, alliteration and repetition, the poem creates aesthetic pleasure and shows the aspect of the couple. b. Graphical features The description of the word-painting on the sea and on the bay and about the meeting is smart as a whip, elaborate and attracting.Through the different angles of vision (the gray sea,the long black land, the yellow half-moon, etc. ), auditognosis (two hearts beating, etc), olfaction (scented), the readers can just feel give care being in the situation, and appreciating the charming of meeting at night. c. Lexical features The poem is relatively brief consist of simple specific concrete words, in the main adjectives and nouns, just like casual and gentle narration between lovers or dramatic monologue.There are 4 adjective words about colour in they aregray, black, yellow and blue, to make the scene at night vivid to the readers. The readers can clearly know that the meeting is at night. The beautiful scene symbolizes the wonderful mood of the couple. In line 6, words ofsp eed, slushy, sandhave alliteration s for imitate the sound of the prow decreasing its speed and thinly scrapping in the bay. d. Syntactic features All the sentences in the poem are pedagogy just like dramatic monologue, what the author is very famous with.Many brusk sentences are linked into long sentences with devices of coordination with the usage ofand. There are totally 5 lines beginning withand. Coordination gives clauses equal syntactic status, and establish peaceful mood. It seems that the man has met the woman at night many times, and gets very familiar with the process. e. semantic features In first stanza, the author usesstartledandfieryinstead of moveandhot. The personification gives human form or feelings to the waves and ringlets, inanimate objects to show that the mans feeling is startled and fiery.In second stanza,tap, scratchandspurtare gentler, lovelier, and shorter in time thanknock, scrape, and spring. These words can vividly to describe the feeling of the coup le. The man arrives at just outside of the house, and taps the glass with the love in his heart. When he is waiting for the appearance of the woman, he is very nervous and upset. The woman is also nervous and upset. After hearing the tap, she lights a match to lights the place and feels happy and fears to meet her lover.