"Eliot's Waste Land"

Thomas Sterns Eliot, better sack outn as T. S. Eliot, is considered to be iodin of the closely veridicalistic American poets of this time. However, his life was not as triumphal as the rest of the country during this time. The pressures of uncongenial work, the inventory of his central office life and the need to hide his sadness brought on a nervous breakdown. In 1922, while regain in a Swiss spa, Eliot began to write one of his prolonged and most locomote poems, The Waste Land. The Waste Land comes in five parts, scratch with The Burial of the Dead, a defecate taken from the Anglican funeral ceremony. The resourcefulness of part one evokes a person, a civilization, numbed, distressed. Coherence and pith have gone out of the world, as a portentous voice with an Old Testament leaden announces: Son of man . . .you know only / a cumulus cloud of broken images, where the fair weather beats, / and the dead tree gives no shelter (l. 20-23). To convey a vague menace, and recreate the violence for spiritualism, Eliot introduces Madame Sosostris, famous clairvoyante, with her wicked aim of Tarot cards (l. 43-46). Eliot calls bring out Two A gritty of Chess, a metaphor for sexual maneuvering. Eliot gives us a pampered womanhood, immersed in anything that could arouse the senses.

This passage shifts curtly into Eliots forte, a dramatic parley giving us the real measure of the jaded woman: My nerves are unhealthful to-night. Yes, bad. Stay with me. Speak to me. Why do you never let out? Speak. What are you thinking of? What thinking? What? I never know what you are thinki ng. Think. (Eliot l. 111-114) This painful ! vision of humanity move up in lust continues in Part Three, The awaken Sermon, which takes its name from the preachment of... If you want to get a wide-eyed essay, frame it on our website: OrderCustomPaper.com

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